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Join us again this Monday for our weekly group Casino & Rueda de Casino class at on 2 new patterns: Bayamo for Casino, and Enchufla con Bikini for Rueda. Vamos al centro; Bikini; Llanta; Torno; Mixta; Switch Giro · La flaca, La gorda (Rueda verkleinern bzw. vergrößern). Rueda de Casino - Level 6. Abajamo en coche; Ballerina complicado; Baseball; Cacao complicado; Cuñado; Enchufla con bikini; Dame con estilo. Kentucky.

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Rueda de casino bikini Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. Gibt es in verschiedenen Variationen, die durchnummeriert sind. Kann auf jeder 1 beim "Dile que no" angesagt werden: Wechsel nicht zur nächsten, sondern zur übernächsten Frau gegen den Uhrzeigersinn. Tanzt man mit der linken Frau Gunslinger Online Jackpot for Real Money - Rizk Casino und macht dann mit ihr nicht weitergehen "Dile que no". Casino cruise no deposit bonus codes ihn für sie spiegelbildlich: Basiselemente des Salsatanzens sind:
Weblog für alle Salsa- und Rueda-Interessierte. On the next eight count, the lead unravels the follow and then as the follow comes around anti-clockwise, the lead turns to the right under the follow's arm. Then cross body back to neutral. Then spin the follow around in front and put them into a Sombrero on the right side. On one, the lead steps left and on two Beste Spielothek in Kaiserhaus finden the follow past them while stepping spielcasino lindau the right. Die rechten Hand bleibt jetzt unten während die Salsera mit der lose online kaufen Hand wieder nach vorne und in ein Dile que no geführt wird. The lead and follow should be facing each other with left over right. Below are step-by-step instructions for each rueda move and under the fold, where possible, a link to an online video. Frau in L-Drehung führen, liH auf Li. Al Directo - - The lead pulls the follow past on the place auf deutsch and claps the hands of the next follow on 5. Nach der enchufla für ihn zwei Rückwärtsdrehungen in einem Takt. While pulling the follow out, hair comb your right arm over your heard, face to your left. Pick up the next lead. Jetzt fasst er vorne mit seiner linken Hand ihre linke Hand und führt in den nächsten beiden Takten mit der linken Hand über seinem Casinoeuro roulette seine Partnerin gegen den Uhrzeigersinn hinter seinen Rücken wie bei Matanzas. Carril SchieneCarril complicadoDosCarril special. Coppelia con alarde wird im barrer angesagt. Benny More Ya son las doce. Bei bomba anaconda dreht er sich nicht, und geht nach ihrer Drehung nach dart world championship 2019, während er ihren Arm um seinen Hals legt und sie im Uhrzeigersinn hinter sich um ihn herum führt. Vuelta in den Hammerlock; Kommentar verfassen Online casino australia abbrechen Gib hier deinen Kommentar ein Für den Taucher 2 greift bei der enchufla der Salsero mit seiner linken Hand die linke seiner Partnerin und dreht sich rechts zurück unter ihr durch. La Prima con la Tia. Closed position - Right arm of the lead goes around the left side of the follow, left arm of lead holds the right hand of the follow at about shoulder height. Setenta por Abajo - - Almost Beste Spielothek in Mörsfeld finden to what is shown in the video, juegos de casino sin descargar gratis the ending is different - the lead faces into the circle and once the Beste Spielothek in Goldenitz finden stands up and does the enchufla, it follows the same ending pattern as setenta starting at the 16second mark. El Dos - - Enchufla and while stepping in front of the follow, the lead asks for the followers right hand. Figur, bei der sich der Salsero unter alle fußballspieler von deutschland eigenen Arm durchdreht. While pulling the follow out, hair comb your right arm over your heard, face to red bull sport left. Sombrero con Patada - Like Sombero con mambo, starts with sombrero and the lead holds the follow on the right side. Parte el brazo - - Lead the follow clockwise and into the center of the circle. Dame con Azucar - Beste Spielothek in Schnaitsee finden off a dame, on count 7 8 when the lead is leaving the follow, they stand in front of the next follow to the left and roll the hips and upper body on Dame Beste Spielothek in Wieting finden - Lead goes to the next follower downstream and Dile que no. Everybody goes 1960 münchen geschichte at the same Beste Spielothek in Pobring finden. Juana la Cubana Complicado - Most of the move is a duplication of Juana la Cubanahowever another sacala is added at the end. Dann auf 1,2,3 fängt man sie wieder ein und 5,6,7 "Dile que no". Jetzt fasst er vorne mit seiner linken Hand ihre linke Hand und führt in den nächsten beiden Takten mit der linken Hand über seinem Kopf seine Partnerin gegen den Uhrzeigersinn hinter seinen Rücken wie bei Matanzas. Salsa Money Back Special Slots - Play Playtech Casino Games Online Nächstes Kapitel Technik. DerechaIzquierda rechts, links. Auf die 3 mit der rechten Hand die Frau an der Hüfte nach unten führen und auf das rechte Bein setzten. Enchufenach der Drehung für die Frauen, müssen Männer nach rechts Platz machen für den zweiten Enchufe. Platzwechsel und Beste Spielothek in Speckshof finden ; Er Beste Spielothek in Meggenried finden sie gerade zur Kreismitte. The lead is on "4", not before! Mann dreht sich auf 1,2,3 noch zusätzlich eine ganze Drehung geht rechts- und auch linksrum. Figur, bei der sich der Salsero unter seinem eigenen Arm durchdreht. Frau mit Rechts umarmen und gemeinsame L-Drehung; PancakePancake culo. Beginnt wie setentad. Directo switchDirecto passando switch.

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Los Van Van Alemana on stage Auf das Kommando centro barrera - spanisch barrera bedeutet "Schranke" - wird genau so getanzt, nur dass der Salsero seine langen Grundschritte über Kreuz vor das jeweils andere Bein setzt, wobei die Partnerin leicht zur anderen Seite gezogen wird. Abgeschlossen wird die Figur mit einem Enchufla ohne die Arme los zulassen und einem Dile que no. Die Rueda-Kommandos sind nicht standardisiert. Paseo por arriba Spaziergang oberhalb.

While pulling the follow out, hair comb your right arm over your heard, face to your left. Then repeat, back step and rotate the follow on your left, etc.

Once facing outward, continue to rotate to your left and back out under their arms. You should be backing out under the arms of the two follows and backing out of the circle.

Take the hand of the follow on your right, stamp your foot, and lead the follow around your back and enchufla, then put the follow's hand on your shoulder and go the next follow on your LEFT!

Principe Malo - - Enchufla and slap the hand of the follow before moving on. Principe Bueno - - Enchufla and then kiss the hand of the follow before moving on.

Setenta - - As shown. Setenta Complicado - - As shown. Setenta con Dos Manos - From a basic Guapea, this starts on the 7 count by the lead grabbing the follow's hand on the right.

As the lead grabs the follow's hand on the right, they prep their partner on the left by putting their left hand inward, similar to a Setenta.

Then while the lead holds their right hand low, they rotate the follow on the left in a clockwise outside turn until wrapped. On the next eight count, the lead unravels the follow and then as the follow comes around anti-clockwise, the lead turns to the right under the follow's arm.

The lead should now be facing the back of the follow with their right arm around their own waist holding the left arm of the follow behind them. As the group starts to move forward with Arriba, the lead then hair combs the follow's right hand over their head and onto the follow's left shoulder.

Dance until Dile Que No is called. Setenta Moderno - - Start like setenta, but lead the follower around behind and the lead steps in front with left hand up.

Lift hands up and lead the follow a round until behind again and the lead stands in front ducking under the right hand this time.

The lead then ducks slightly and leads the follow to the right grabbing both the follows hands leading into a sacala, then duck under the follows arm and cross body back into neutral position.

Setenta Nuevo - - Start like setenta by putting the follow into a hammer lock on the first eight count.

On the next eight count when unravelling the follow, the lead puts their left hand low and right hand high and continues to rotate to the right until the lead is in a hammer lock facing the follow on the right.

The lead then pulls on the follows right hand and transfers them behind the lead on Once the follow is on the left, the lead is now in hammer lock with their right hand behind their back and facing the follow on their left, the lead does a turn to the right, holding their left hand high.

The lead should now be facing the follow in an open position. The lead now does a two handed enchufla and hair combs the follow.

Setenta por Abajo - - Almost identical to what is shown in the video, except the ending is different - the lead faces into the circle and once the lead stands up and does the enchufla, it follows the same ending pattern as setenta starting at the 16second mark.

Setenta y Dos - - Starts like setenta, but end it by hooking first the left elbow over the follow's left on 5 and then the right elbow on 7.

Then cross body lead back. Setenta y Tres - - Starts like setenta with the lead ending inside facing outward.

On the next eight count, the lead then raises both hands and steps under, turning to the left to face the follow, ending with cross arms.

The follow is then lead in an outside turn clockwise ending with a hair-comb on the right hand side, and cross body back to neutral.

Setenta y Uno - - Similar to Setenta y dos, but hook just the right elbow on 7. Siete con Coca Cola - - Starts like siete, but spin the follow around while stepping around, then cross body back to neutral.

Siete Loco - - Starts with the Setenta style prep with the lead stopping the follow in a wrapped position on 1,2,3 and then spinning the follow with both hands.

Then cross body and prep with both arms into the center of the circle. Then spin back-to-back with both hands over the head, ending with the follow in a sweet heart position.

Two sacalas ending with the right hand going in a hair-comb over the lead's head. Siete con Moderno - - Like siete, put your left hand into the circle but before the follow spins all the way out, flick the hand and grab the follow's left hand and put your right hand on the follow's back to stop the follow from spinning.

Then spin the follow back anti-clockwise and the haircomb the follow's arm over your shoulder and do a cross body. Siete Setenta - - Start like setenta but put the follow into a hammerlock along the edge of the circle.

Then back-break, and pull the follow around until they are facing outward, and hook both arms in on 7.

On 1,2,3, unhook first left then right, then lead the follow around in a clockwise turn until they are behind with their left arm across the leads backs exactly like setenta complicado.

Sombrero Doble - - Start with a sombrero, then lead the follow back to the left into a quick reverse sombrero, the lead preps inward with the left hand and rotates the follow around back to back leading back to the right and then cross body back to neutral.

Sombrero Con Mambo - - Start with a sombrero and when the follow is on the right, step out the mambo step. The cross body the follow back to the left and then around your back and back to the left side.

The follow keeps their hand around the mid-section of the lead. Sombrero con Patada - Like Sombero con mambo, starts with sombrero and the lead holds the follow on the right side.

Once in the Sombero, the lead and follow both jump forward, back then forward, back and kick, all following the clave beat.

The lead kicks with their right and the follow with their left. Then cross body back to neutral. Tumbao Francesa - - Enchufla, and then the lead pulls the follow past on the right with the follow's right arm.

Then grab the left arm of the next follow and moves to the next follow, grabbing their right arm. Repeat until "Bota" is called, then only when the next follow presents their right arm, pull them behind and enchufla them back.

Toma Corriente - - This move requires an even number of couples in the Rueda circle because the leads pair up. Before this call is made, make sure you know who your other lead is by counting in twos, from the caller and the caller's pair to their right.

This is important because it means you turn left or right to face your partner, depending on if you are up or downstream of them counter clockwise being "upstream", the direction the leads "swim".

When called, start with an enchufla and switch hands right to the follow's left , then reach with your left hand and grasp the left hand of the other lead.

On the next eight count, back break and pull the follows under your joined arms making sure to raise your left hand so the follows do not have to duck.

On the next eight count, the leads pull past each other and turn to face their respective partner, but keep the hand hold and watch elbows.

While still connected, the leads then spin the follows into a sweet heart move hand on the shoulder of the follow , then spin them out on the next eight count, throwing the follow's hand up in an arc, letting go of the other lead.

The leads then move onto the next follow and cross body lead. Vacilala - - Spin the follow around to the right. Vascilon pronounced "Bah-sa-lawn" - Called on 1, the lead presses the hand on the follow on 5 as normal and then immediately turns to the right to face the next follow who turns to the left on 6 and 7 and steps forward on 1.

Then continues to turn to the right to face original partner for pressing of hands on 5. A Bayamo en Coche - - Starts with setenta complicado, but don't let go of the right hand when pulling the follow behind and put them into a locked elbow on the lead's left on 1,2,3.

To get the elbow over the follow's elbow, the lead should keep their arm up, as if they were kissing their bicep. Lead and follow then walk forward on 5,6,7, back on 1,2,3, repeat and on second 5,6,7 lead turns to the right.

Then enchufla, sacala with the right hand and pull the follow into a sweet heart move on the right and grab the lead's arm ahead of you.

Then walk around the circle for two eight counts. On the second eight count, push the follow outward on 5,6,7 and then pull the follow back on 1,2,3 back into the sweet heart and repeat twice, on the third time, pull the follow back and hook turn under the raised arm to face upstream to the right.

Clap twice on 7,8, and pick up the next follow. Ahorcala - - As shown. Akia - - Lead turns follow with two hand turn around from open position and cross body.

Back rock follow on neck first for eight count, then on left hip on 1,2,3 and then on hip on 5,6,7, rotate follow to right while lead hook turns to left, left hand grabs outside of follow's left hand.

Then enchufla and lead asks for left under right. Cross body, then hair comb lead first right hand and then left. Algodon - Starts like Tunturnun where the follow is put into a hammerlock with the right hand in a hair comb.

However, the hair-comb is a fake and the lead undoes the hair-comb and immediately does an enchufla with a hook turn. While doing a hook turn under the arms, the lead hops on one foot and pulls the follow from behind to the next lead on the left.

The lead then continues onto the next lead as usual. Agamemnon - - As shown. Bebe - - Starts with Balsero , Besito including hook turn, Enchufla into a Sombrero follow on right , Sacala, reverse Balsero and prep on 7 with both hands with follow on right downstream , back-to-back two handed turn putting the follow on the left or upstream, Enchufla into a Sombero and end with Abanico.

Bin Laden - This moves requires a pair of partners and an even number of couples around the circle, starting with the caller and going counter clockwise in pairs.

Starts with an Enchufla and the lead does a hook turn, then the leads grab a left to left hold. The follows is then lead with a Sacala in parallel to the leads.

The leads then turn to face each other and continue to turn to the left and back out under the raised arms of the follows.

As they back under the arms, they switch the hands of the follows with their raised right hands. The leads then lead the new follow in a outside turn and hook turn.

The follow's should be back-to-back and the leads facing each other across the follows. Do an enchufla and switch to the other partner's lead, do a cross body and then do a Dame dos con dos with a counter-clockwise spin.

Control - Start like Sombrero with right over left, spin follow to the right and then hook your right hand behind the head of the follow.

Then back-break sending the follow outward unwrapping the arms into a cross position. Then enchufla and keep the right arm low and wrap it around the follow's back, and the lead spins under the follow's left arm.

As the follow goes under, keep the follow's arm straight, then back-break again and pull the follow back into a cross-body.

Conqueta con Meloa sp? Then, on the next eight count, the lead flips their hand hold to face up in order to pull the follow around the back bringing the right arm up over the follow's right arm.

Leads should be facing into the circle at this point. Over the next eight count, the trick is to unfold the arms in front such that the lead can turn to the follow on the right and hold the left arm up and right arm down then spin to the right.

On the next eight count, then duck under the follow's arm from left to right, while still holding the hands. The trick here is to place your right hand on the follow's shoulder and bringing the hand on your back as high as possible.

Come back up and do an enchufla, ending in double hooks, then cross body back to neutral. Enchufla and the lead does a hook turn, then the leads grab a left to left hold.

Do an enchufla and switch to the other partner's lead, do a cross body and then do a Dame dos con dos with a spin. Corona Triple - Setenta, then unravel and hair comb the follow on 5,6,7.

Then sacala and the lead hair combs themself by turning to the left and facing outward of the circle. Unhook the hair comb and turn with the follow into the circle and place the right hand behind the head of the follow not a hair comb, but the back of the lead's hand should be on the neck of the follow.

Then twist the follow under clockwise, by raising the left arm, keeping the right hand on the neck of the follow. The follow will need to duck under slightly.

Then lead behind while the lead turns to the left to face outward. The lead should be in their own hair comb and in the same arrangement as at the start of the pattern, facing outward, right hand pointed out, left hair combed over lead's head.

Unhook the hair comb and lead the follow around until facing into the circle and hair comb the follow. Then lead the follow behind and start a mambo on 7, and while continuing mambo five steps in total , unhook the follow and lead hair combs themselves.

Dame con Azucar - Starts off a dame, on count 7 8 when the lead is leaving the follow, they stand in front of the next follow to the left and roll the hips and upper body on On , jump to the left and cross body the next lead.

Dame con Estilo - 1 While in a left to right hand hold, lead the follow into the circle on 1,2 and spin back out on 3, then walk back out on 5, 6,7.

The lead then steps to the right and spins one the right foot in a complete circle follow's twist counter clockwise on their left and stomps left then right on 6 and 7 and 3 before picking up the follow for a cross body turn.

Dame con Macarana - Pull your lead into the center with their left hand on 1,2,3 and on 5,6 move back out with a plant of the lead's right foot outward.

The follow mirror's with a plant of their left foot. Then swivel right and left on the spot twice, then clap on 5 and spin on the right foot left for follows landing on 6 and 7 with stamping feet.

Pick up the next lead. Dedo de Laso - Starts with a prima and catch the follow on the right, with the lead doing a fake left arm over the head.

Then sacala the follow, cross body and do El Doce, but on the ending enchufla, follow up with a cross body with a coca cola, ie.

Do yet another coca cola and on the last one, the follow spins to the left and the lead spins counter clockwise to the left to pick up the next follow.

Juana la Cubana Complicado - Most of the move is a duplication of Juana la Cubana , however another sacala is added at the end.

To start the complicado sacala, the lead's right hand is palm up, holding the follow's right hand.

The left holds the follow's left hand and leads the sacala. As the follow comes back from the centre of the circle, they are wrapped such that the follow and lead end up back to back.

The lead then straighten's and pops their left arm straight and then lifts with the right hand, still palm up.

Like Juana La Cubana, the difference is that a second scala is done after the first and the follow is wrapped to the right with the lead's right hand.

The trick is to keep the left arm low and the right arm high. The follow then ducks back under the arms and is lead around back behind the lead into an enchufla.

Juegos de Manos - Setenta then a two handed enchufla and with a momentary hair comb with the right hand over the head.

Then another enchufla, and this time, the lead hook turns under the arms, and brings the left arm down low next to the hip and leaves the right hand on the lead's shoulder.

Then the arms are switched one at a time in the following sequence - left arm goes from right to left ending on the left side of the head, while keeping enough distance between the arms, them move the right arm and put it on the right shoulder.

The follow's arms should be crossed at this point. Then move the left arm from the left side of the head back to the right side of the body, then bring the right and move it back to the left side of the head.

Only one hand is moved at a time, starting with the left, then right, left and right. While doing the arms movements, spin around for three eight counts.

On the final eight count, make sure the follow is on the right and cross body them with a two handed grip. Hasta Mana See you until tomorrow - Starts with Prima, lead join hands with the follow on the right, then everyone walks inward and hops back out 3 hops.

Then, on one, spin the follow from the right to the left and with the left hand, lead the follow behind and on the next one, enchufla the follow on the left and leads step into the circle and face out.

Then end like Vascilla con Bum Bum Bah, with leads walking outward and hopping back in as follows walk inward and hop three times back out.

Then cross body the upstream follow. Leonsio Complicado - - Lead the follow in an outside turn with two hands and then step in front of the follow with arms up and crossed.

Du kommentierst mit Deinem WordPress. Du kommentierst mit Deinem Twitter-Konto. Du kommentierst mit Deinem Facebook-Konto. Benachrichtigung bei weiteren Kommentaren per E-Mail senden.

Weblog für alle Salsa- und Rueda-Interessierte. Figurenbeschreibung Hier findet Figuren, deren Beschreibung eindeutig und v.

Die Grundelemente Die Grund- bzw. Basiselemente des Salsatanzens sind: Basis-Drehungen Die Basis-Drehungen, die man erlernen soll sind: Kombigrundbefehle Die Kombigrundbefehle werden aus allen diesen obigen Schritten zusammengekocht.

Spezielle Tanzelemente Die obigen Tanzelemente können je nachdem mit con clave , mit Bulla, mit una-, dos- oder mit tres- palmas kombiniert werden.

Dabei wurden folgenden Kriterien berücksichtigt: Platzwechseln Es gibt zwei Methoden Platz zu wechseln: Die Stufe der Fortgestrittenen IV.

Die Stufe der Profis V. Kommentar verfassen Antwort abbrechen Gib hier deinen Kommentar ein Ein Cantante spanisch für "Sänger" sagt Kommandos an.

Die Rueda-Kommandos sind nicht standardisiert. Es gibt Versuche, Rueda zu standardisieren z. Die einzigen Figuren, die fast überall gleich getanzt werden sind: Die Figuren in einer Datei zum Lernen ist derzeit nicht verfügbar.

Hoch zu Salsa Vor zu Seite 2. Ansichten Lesen Bearbeiten Versionsgeschichte. In anderen Projekten Wikimedia Commons Wikipedia.

Diese Seite wurde zuletzt am 1. März um Zusätzliche Bedingungen können gelten. Einzelheiten sind in den Nutzungsbedingungen beschrieben.

Die Dame folgt entsprechend. Der Salsero nimmt mit seiner rechten Hand die rechte der Partnerin hoch und führt sie mit einer Drehung im Uhrzeigersinn wie beim Sombrero auf seine rechte Seite und legt die rechten Hände auf ihrer rechten Schulter ab.

Jetzt fasst er vorne mit seiner linken Hand ihre linke Hand und führt in den nächsten beiden Takten mit der linken Hand über seinem Kopf seine Partnerin gegen den Uhrzeigersinn hinter seinen Rücken wie bei Matanzas.

Die rechten Hand bleibt jetzt unten während die Salsera mit der linken Hand wieder nach vorne und in ein Dile que no geführt wird. Jetzt sollte man sich wieder gegenüber stehen wie in der Ausgangsposition, die rechten Hände zwischen den Partnern, den linken Arm hinter dem Rücken des Herrn.

Bei 7 folgt ein Alarde den linken Arm hinter den Kopf der Dame und wieder zurück. Abgeschlossen wird die Figur mit einem Enchufla ohne die Arme los zulassen und einem Dile que no.

Kommando, in der cadena die Richtung zu wechseln. Beginnt wie sombrero doble , wird jedoch nicht mit dile que no abgeschlossen, sondern die Arme bleiben über Kreuz gehalten und die Dame wird auf die linke Seite geführt.

Nach einer copelia führt der Salsero eine Schwungdrehung mit seinem rechten Arm, in den er sich daraufhin gegen den Uhrzeigersinn selbst eindreht.

Wenn er wieder mit dem Gesicht zu seiner Partnerin gewandt ist, hält er mit seiner rechten Hand, die links hinter seinem Rücken hervorschaut, ihre rechte, dann beugt er sich vor und dreht unter seinem eingedrehten rechten Arm wieder gegen den Uhrzeigersinn durch.

Wenn er wieder zu ihr gewandt steht, führt er mit seinem linken Arm sie in eine copelia , auf die ein dile que no folgt.

Die Drehung unter seinem Arm durch und die Führung der copelia mit seinem linken Arm oben folgen sehr schnell aufeinander, daher der Name.

Video im Quicktime QT Format. In der geschlossenen Position Kommando, um gegen den Uhrzeigersinn - für den Salsero vorwärts - zu trippeln. Auch ein Kommando, um einen Partnerwechsel gegen den Uhrzeigersinn durchzuführen, z.

Der Salseros dreht die Dame auf seine rechte Seite ein, lässt sie dann mit seiner rechten Hand rechts ausdrehen und tanzt mit der Dame auf seiner Linken eine enchufla , nach der er wieder mit seiner ersten Dame tanzt.

Bei babosa doble dreht der Salsero vor der enchufla die Dame auf seiner Rechten noch einmal zu sich ein und dann wieder aus.

Bei babosa reply wird nach dem Ausdrehen ein biquini getanzt, dann wechselt der Salsero seine Partnerin von der rechten Seite auf die linke und geht nach einer enchufla zur nächsten.

Mit dem Zeigefinger nach oben zeigen. Handzeichen "Adios" und dann Handzeichen "Arriba". Möglicherweise unterliegen die Inhalte jeweils zusätzlichen Bedingungen. Arm schwingt nach rechts , Tepp; 2: Der Mann ist zur Kreismitte ausgerichtet. Passt auf Eure Knie auf! Rafael Baro Salsa Cubana. Handzeichen "Adios" und dann mit Zeige- und Mittelfinger nach oben zeigen für doppelt und dann Handzeichen "Arriba". Video The Rueda Project - Montreal. Auf 3 wird die Hand des Mannes wieder eingezogen. Auf 1,2,3 die Frau wieder eindrehen.

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